Making the ideal Cannes Film Festival photograph operation requires a ton of readiness. For Léa Seydoux and her beautician, Alexandra Imgruth, the cycle started way back in March, a month prior to the movies were declared. As two motion pictures that Seydoux featured in, Mia Hansen-Love’s One Fine Morning and David Cronenberg’s Crimes of the Future wound up debuting at Cannes, the planning was most certainly vital. Back in March 2022 I knew that on the off chance that we planned to go Cannes we wouldn’t have been doing looks that weren’t normal from us,” Imgruth says. “Léa and I were quick to accomplish something else from our latest, very glitz and charming looks — a smidgen more European, tense while staying consistent with the French stylish. We needed to be attractive and make dark fascinating and ‘undependable.’ I think we prevailed on the two fronts.” Judging by the titles Seydoux made for her the short-suit and botanical tie she decided for the photocall of Crimes of the Future, she succeeded.
Seydoux likewise wore a dark cape dress with a plastic bodice to Cannes 75th commemoration celebration, a slouchy dim suit to the debut of One Fine Morning, and a decorated outfit with stripes of ribbon and lacquered dark texture to the debut of Crimes of the Future. Imgruth needed to consolidate the subjects of Cronenberg’s body-ghastliness thrill ride in each look, and Seydoux needed to channel an edgier energy for 2022, subsequently the plastic and vinyl. Planned by Nicolas Ghesquière, the closet joined innocent insouciance with femme fatale style. Imgruth had gone “profound into [his] chronicles” to find motivation for the two custom outfits she wore on honorary pathway.
So how would you pack for such an occasion? Imgruth started with a styling unit bag filled to the edge with socks, bras, bodysuits, and more underpinnings so they could never have to stress. She made a trip to France with six bags including a suitcase of a portion of Seydoux’s looks. After arriving in Nice, she and Seydoux made a beeline for the Louis Vuitton display area to get the rest. As a Cannes standard, Seydoux had a full timetable and ran on “unadulterated adrenaline,” as indicated by Imgruth. However she generally looked camera prepared, because of long periods of arrangement.
