- Jodie Comer’s Terrifying Challenge
- Portrays Mother in Climate Film
- Overcomes Infant Interaction Fears
Jodie Comer, known for her role in Killing Eve, may seem invincible on screen, but she openly admits to feeling terrified in her latest role. Portraying a mother in the climate change survival film The End We Start From, Comer faces challenges caring for her newborn amid civil unrest and flooding.
Despite the seemingly impossible task, Comer, who has earned multiple accolades, including two Baftas, embraces challenges. The film unfolds in London, where Comer’s character and her partner flee their flooded home due to an environmental disaster, seeking refuge in his parents’ rural residence. However, the need for sustenance and safety keeps them on the move.
The unique experience required Comer to interact with fifteen infants on set, ranging from eight weeks to young toddlers. Adhering to strict regulations, the children could only appear in scenes for a maximum of twenty minutes. This posed a significant challenge for the actress, who had to master entertaining the infants, especially since she hadn’t spent much time around them in recent years.
Comer’s character, Woman, appears in nearly every scene with an infant named Zeb, forcing her to quickly adapt to the unpredictable rhythms of infants during the six-week production. Despite the adage that “nothing can prepare you for having a child,” Comer found inspiration in this notion, witnessing Woman’s growth and self-discovery parallel with her own.
Comer’s Versatility in Challenging Film
Director Mahalia Belo commends Comer’s dedication, acknowledging the logistical challenges of directing a film with multiple infants. The film, depicting extensive flooding and devastation, faced additional hurdles due to a hosepipe prohibition and a drought, requiring creative solutions and resourcefulness.
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Collaborating on an independent film with budget constraints and a tight schedule was a novel experience for Comer. Despite the challenges, she appreciates the passion and determination of those involved in independent filmmaking. Comer’s portrayal of Woman in The End We Start From has garnered critical acclaim, solidifying her versatility as an actress.
Adapting Megan Hunter’s novella, Alice Birch’s screenplay explores the theme of motherhood amid rising waters, reflecting the emotions of overwhelmed new mothers. Comer, alongside Benedict Cumberbatch, Katherine Waterston, and Gina McKee, delivers a compelling performance that resonates with critics.
Comer’s ambition as an actress is to continue challenging herself, seeking scripts that evoke emotional connection and rejuvenation. She aims to avoid repetitive patterns and explore new concepts, perpetually searching for self-discovery through her roles.
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